Lara Dutta plays an extended cameo role as a mother, whose child is tutored by Jiiva's character.
Scenes of a character playing musician Jiiva, was the second segment to be shot with Sejal Shah rope in as cinematographer. Prahlad Kakkar, note ad-maker, was convinced by Nambiar to make his debut in film by appearing in the role of priest and consequently shot his scenes in Mangalore. Nishan, Mumbai-base actor who had appeared in Malayalam language films, was also selected to play a role in the segment, while actress Rubi Chakravarti was also rope in to play Vikram's mother in the film after Bejoy Nambiar approached for the role with her in mind. Ratnavelu reveals that scenes were also can in Kapu, Karnataka disguising Goa and that Vikram finished his portions for the film by March 2012. Mangalore beach was designed to replicate the beaches of Goa and a song featuring Remo Fernandes was also shot in February. Team thus shot scenes featuring Vikram and Isha Sharvani there in late February 2012, before moving to Kuttanad. Scenes involving Vikram were filmed out first and were can in locations which were meant to show the Goan backdrop. * Please keep in mind that all text is machine-generated, we do not bear any responsibility, and you should always get advice from professionals before taking any actions * Please keep in mind that all text is machine-generated, we do not bear any responsibility, and you should always get advice from professionals before taking any actions. A film that strives to move away from the beat track, could have been crafted better. Poor lip-sync only makes it worse, particularly in scenes of Tabu and Hattangadi, latter playing religious fundamentalist. Though most events are in Mumbai and Goa, everybody seems to speak some kind of Tamil. About 128 minutes of running time, what goes against the film is its disjointed nativity and ambience, and Dub feel.
Rakish Vikram, character perpetually inebriate, adds a lighter edge.
Intense Jiiva infuses life into his character. It has a fine touch at the end, where commenting on their similar destinies, Jiivas David makes reference to their biblical namesake. Its surprise ending that makes you view earlier happenings in a kinder perspective. The finale is uplifting, which reassures faith in human goodness. But unpredictable and refreshing is way both end. Two episodes are simple, tad boring at times. Jiivas track is intense, mostly shot in darker shades. The third gangster track of Hindi version, has been dropped here. Narration travels on two separate tracks, clearly demarcate, one not interfering with the other. Ditch at altar by his girlfriend, and in love with best friend Peters ' deaf-mute fiance, he undergoes moments of agony and doubt. On Goan track is Vikrams David, fisherman. And when he is about to reach his goal, come agonising turn in his life. The son of a church father, staunch Christian, David is carefree, playfully ragging of his father's community work. Jiiva, who plays David of Mumbai, is a guitarist aspiring for a big break. The story goes into flashback mode, depicting happenings in their lives and of their similar destinies. Another was about to attend his best friend's wedding. One was about to kill his father's tormentor. Its intriguing opening on two Davids, one living in Mumbai in 1999, other in Goa in 2010. The Director, adopt non-linear style of narration, shuttling between two stories. Set in two different places in two different time periods, it is about two men who share the same name David, and how their destinies converge. After an impressive debut with the Hindi film Shaithan, Nambiar returns with bilingual.
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